Tomás Luis de Victoria (1548-1611) was one of the last representatives of the ‘prima prattica’, the polyphonic style which was dominant in the period music history has labelled the ‘renaissance’.
Vol. 3 of these 52 motets for mixed voice choirs.
Ardens Est Cor Meum (Tempore Resurrectionis Domini)
Benedicta Sit (In Festo Ss. Trinitais)
Congratulamini Mihi (De Beata Virgine)
Nigra Sum Sed Formosa (De Beata Virgine)
O Sacrum Convivium (In Festo Corporis Christi)
Tu Es Petrus (Infesto Sancti Petri)
Vadam, Et Circuibo (De Beata Magdalena)
Vidi Speciosam (In Assumptione Beatae Mariae Virginis)