This series offers the edition of wide interest musics from an historical, stylistic and performing perspective – of them, renowned musicians and musicographers of international notoriety dedicate praise – owed to Emilian composers, Emilian by birth or by adoption, active in the 17th and 18th centuries. In the ample range of the musical genres offered, a special interest is reserved to oratorios and musics for the liturgy: ambit of the most inspired expression by composers like G.P. Colonna, G.B. Bassani, D. Gabrielli, G.A. Perti and G.B. Martini, such genres reserve concrete evidence on the success of the music within fraternal orders and princely courts, and on the fullness and theatricality of the technical and artistic resources in the musical chapels practise.
Introduzione Introduction
Testi / Texts
Messa in La maggiore (1683)
1. Sinfonia
2. Kyrie I
3. Christe
4. Kyrie II
5. Gloria in excelsis
6. Laudamus te
7. Gratias
8. Domine Deus, Rex caelestis
9. Domine Fili
10. Domine Deus, Agnus Dei
11. Qui tollis
12. Quoniam
13. Cum Sancto Spiritu
Appendice: parte integrativa di Organo II (Kyrie I, Gloria in excelsis, Qui tollis)
Messa in Fa maggiore (1686)
1. Sinfonia
2. Kyrie I
3. Christe
4. Kyrie II
5. Gloria in excelsis
6. Et in terra
7. Laudamus te
8. Gratias
9. Domine Deus, Rex caelestis
10. Domine Fili
11. Qui tollis
12. Quoniam
13. Cum Sancto Spiritu
Criteri editoriali
Apparato critico
Contents