This facsimile of an original by Pierre Attaignant is part of our Dominantes collection.
Edition: Paris, Attaingnant, 1531.
Presentation by Marcel Degrutère : use - summary - principles of notation - remarks on the score.
Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Supérieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers).
He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the Bayerische Staatsbibliothek of Munich (Germany).
1 - Preludium
2 - prélude sur chacun ton
3 - Magnificat primi toni, secundus versus
4 - Magnificat secundi toni, secundus versus
5 - Magnificat tertii toni, secundus versus
6 - Magnificat quarti toni, secundus versus, tertius versus, quartus versus, quintus versus
7 - Magnificat quinti toni, secundus versus
8 - Magnificat sexti toni, secundus versus
9 - Magnificat septimi toni, secundus versus
10 - Magnificat octavi toni, secundus versus, tertius versus, quartus versus
11 - Te Deum laudamus
12 - Tibi omnes angeli
13 - Sanctus
14 - Sanctus Dominus
15 - Te gloriosus
16 - Te martyrum
17 - Patrem immensae majestate
18 - Sanctus quoque
19 - Tu patris
20 - Tu devicto
21 - Judex crederis
22 - Aeterna fac
23 - Et rege eos
24 - Miserere nostri et laudamus
25 - In te Domine speravi