Prefazione
Introduction
Colin Timms
A New Cantata by Domenico Scarlatti
(Words by Antonio Ottoboni)
João Pedro d’Alvarenga
Domenico Scarlatti in the 1720s: Portugal, Travelling
and the Italianization of the Portuguese Musical Scene
Serguei N. Prozhoguin
Rileggendo la lettera di Domenico Scarlatti
Emilia Fadini
Domenico Scarlatti: integrazione tra lo stile andaluso
e lo stile italiano
Sara Gross Ceballos
Scarlatti and María Bárbara: A Study of Musical Portraiture
Andrea Coen e Valerio Losito
Ipotesi sulla destinazione strumentale di cinque sonate per
strumento melodico e basso continuo di Domenico Scarlatti
Joel Sheveloff
Scarlatti’s Duck-Billed Platypus: K. 87
Chris Willis
One-Man Show: Improvisation as Theatre in
Domenico Scarlatti’s Keyboard Sonatas 271
Todd Decker
The Essercizi and the Editors: Visual Virtuosity,
Large-Scale Form and Editorial Reception
Jacqueline Ogeil
Did Domenico Scarlatti Compose
the First Great Piano Music?
W. Dean Sutcliffe
Temporality in Domenico Scarlatti
Rohan H. Stewart-MacDonald
The Minor Mode as Archaic Signifier in the Solo Keyboard
Works of Domenico Scarlatti and Muzio Clementi
Contributors
Index of Names