Commissioned by Merton College, Oxford and sponsored by Nigel Hamway
I was thrilled to be commissioned again by Merton College Choir, so soon after my anthem Nocturn for them – however, having already set the Canticles twice, I panicked a little about whether I could do something completely different with the same words. So, I sent a survey to the choir members, whom I had met on several happy occasions, as I knew that they would come up with some great ideas. And they did! I have tried to incorporate as many of their requests (in bold below) as I could and am so grateful for the musical ideas they inspired.
Starting with a request for story-telling, the Magnificat (‘oscillating between uncertainty and excitement’), in D flat major, begins hesitantly with a sense of unease, as the Virgin Mary grapples with the momentous news that she is to bear God’s son. The mood swings between scared and excited through melisma and expression in rich and crunchy harmonies (trying to incorporate the latter without sounding too louche for this reverential moment), soprano suspensions with altos and swaying gently in 12/8.The mood becomes more assertive at ‘He hath showed strength…’ and then ecstatic for the ‘Glory be…’.
The Nunc Dimittis in G flat major, begins in a more ‘tranquil’ reflective mood as Simeon welcomes a peaceful end now he has seen the salvation of the infant Jesus’s arrival into the world. These two people are represented by frequent duets between sopranos and basses, with Simeon’s bass frequently coming out over the choir. It doesn’t stay that way for long, though, as it becomes something you can really sing your heart out with a good build up from quiet to loud, more melisma and ornamentation enhancing the emotional atmosphere. Having been in 4/4, we return to an ‘even more ecstatic’ 12/8 ‘Glory be’ from the Magnificat.
I’m hoping that I have also fulfilled a request for the bewitching and sublime – but only you and these wonderful performers can tell! The Magnificat is five minutes and the Nunc Dimittis three minutes.
I’m hugely grateful to Ben Nicholas and Merton College Choir for commissioning me and to Nigel Hamway for supporting the commission.
Roxanna Panufnik, 16 July 2025
