The six cello suites (BWV 1007–1012) and 3 sonatas (BWV 1027–1029) (played most commonly today on the cello and harpsichord), richly demonstrating Bach's intuitive feel for the cello and his technical grasp of its capabilities for musical expression. Bach-Gesellschaft edition, Breitkopf & Härtel, Leipzig.
Reprinted from Bach-Gesellschaft edition, Breitkopf & Härtel, Leipzig.
Six Suites for Unaccompanied Cello
"Suite No. 1 in G Major, BWV 1007"
Prélude
Allemande
Courante
Sarabande
Minuet
Gigue
"Suite No. 2 in D Minor, BWV 1008"
Prélude
Allemande
Courante
Sarabande
Minuet
Gigue
"Suite No. 3 in C Major, BWV 1009"
Prélude
Allemande
Courante
Sarabande
Bourrée
Gigue
"Suite No. 4 in E-flat Major, BWV 1010"
Prélude
Allemande
Courante
Sarabande
Bourrée
Gigue
"Suite No. 5 in C Minor, BWV 1011"
Prélude
Allemande
Courante
Sarabande
Gavotte
Gigue
"Suite No. 6 in D Major, BWV 1012"
Prélude
Allemande
Courante
Sarabande
Gavotte
Gigue
Three Sonatas for Viola da Gamba and Harpsichord
"Sonata No. 1 in G Major, BWV 1027"
Adagio
Allegro ma non tanto
Andante
Allegro moderato
"Sonata No. 2 in D Major, BWV 1028"
Adagio
Allegro
Andante
Allegro
"Sonata No. 3 in G Minor, BWV 1029"
Vivace
Adagio
Allegro
Appendix
"Suite No. 5 in C Minor, Notated at Concert Pitch"
Prélude
Allemande
Courante
Sarabande
Gavotte
Gigue
"Suite No. 6 in D Major, Noated in Bass and Tenor Clefs"
Prelude
Allemande
Courante
Sarabande
Gavotte
Gigue
