Sight Singing and Ear-Training in Major / Minor Tonality
CONTENTS
page Gutrelation of various sections for simultaneous study
MELODY REHDING EXERCISES :
Introduction
I From the tonic to the major third
II From the major third to the tonie
III From the tonic to the minor third
IV From the minor third to the tonic
V Major and minor in the saure example
VI Major third with neighboring tonen
VII Minor third with neighboring tonen
VIII Summary an intervals
IX A. Major and minor thirds
IX B. Diminished triads
X Five-tone scale in major with neighboring tonen
XI Five-tone scale in minor with neighboring tonen
XII Arpeggiated cadenees
XIII The major seale
XIV The minor scale
XV Melodien not in major/minor tonality
XVI The dominant seventh chord
XVII The dominant ninth chord
The dominant ninth chord with a lowered ninth and the root omitted (a diminished seventh chord). Secondary seventh chords. Diminished third in conjunction with the Neapolitan sixth chord.
RHYTHM EXERCISES
FIGURED BASS EXERCISES
KEYBOARD HARMONY EXERCISES
HARMONIC EXERCISES IN CONNECTION WITH THE MELODIES SUGGESTED METHOD
Source of melodies in Melody Reading
Exercises
Key to Figured Bass Exercises
(Lese- und Hörtraining für Dur/moll Tonalität - in englisch)
