Book together with music section
This publication is de signed for organists who wish to integrate the latest research in historical performance practice into their playing.
It seeks to assist the player in con verting the research on historical performance practice into playing which is valid in today’s context.
Part A deals with the general principles of technique, various fundamental musical aspects, as well as with the learning process itself. In Part B compositions from a range of countries and eras are investigated with regard to sty listic performance, including such points as registration and ornamentation.
Since some of the musical examples which are quoted in the textbook are not available in reliable ed itions or are difficult to obtain, they have been edited and compiled in a volume of music.
Contents
Foreword
Bibliography I (Source index; primary and secondary literature)
Editorial method
Part A. Technical and musical rudiments
Chapter I. Elementary playing techniques – initial musical considerations
Chapter II. General musical considerations
Chapter III. Practice
Part B. Stylistic variations in interpretation
Chapter I. Music of the early and high baroque period
Chapter II. J. S. Bach and the late baroque period in Germany
Chapter III. The classical periodEpilogueBibliography II (music in selected editions)
Commentary
Index
Notenband zu: Jon Laukvik, Orgelschule zur historischen Aufführungspraxis,
Teil 1: Orgel und Orgelspiel im Barock und in der Klassik
Bull, John: A preludium
Buchner, Johannes: Quem terra pontus
Bach, Johann Sebastian: Applicatio
Sweelinck, Jan Pieterszoon: Ballo del granduca
Bach, Johann Sebastian: Praeludium in C
Bach, Johann Sebastian: Praeludium in c
Frescobaldi, Girolamo: Toccata terza
Clérambault, Louis-Nicolas: Suite du premier ton
Clérambault, Louis-Nicolas: Suite du deuxième ton
Muffat, Georg: Toccata tertia
Correa de Arauxo, Francisco: Tres glosas
Correa de Arauxo, Francisco: Tiento
Purcell, Henry: Voluntary for Double Organ
Bach, Johann Sebastian / Bach, Johann Sebastian: O Mensch, bewein' dein' Sünde groß (aus: Ausgewählte Choralvorspiele von J. S. Bach für Klavier übertragen)
Marchand, Louis: Fond d'orgue
Bach, Carl Philipp Emanuel: Sonata in g
320 S.
